Necessity and Superfluity
Thoreau shows how long habit manufactures our necessities; ʿAttār names an independence won not by possessing more, but by ceasing to possess.
Fire was once a luxury. We stumbled upon its warmth by chance, sat beside it for pleasure; then habit took hold, and sitting by the fire ceased to be a delight and became a need. Thoreau traces this shift at the threshold of Walden: much of what we deem indispensable is not so by nature, but by the repeated crease that has come to resemble law.
By the words necessaries of life, I mean whatever, of man’s creation, has been from the outset—or has become through long habit—so essential to human life that few, if any, would ever attempt to do without it, whether from wildness, poverty, or philosophy.
The entire definition hinges on a seam: “has been from the outset—or has become through long habit.” Two origins folded into a single word. There is the necessity of nature—Thoreau reduces it to four categories: Food, Shelter, Clothing, Fuel—and the necessity of custom, which has slipped in alongside the first and now bears the same name. The superfluous is not what is harmful; it is the excess we have ceased to question, and which, through repetition, has passed itself off as indispensable.
What Does Thoreau Call the “Necessaries of Life”?
He names as necessary whatever, through human effort, has become so vital to life that no one even thinks to do without it. His definition deliberately blends two sources: what is so from the beginning, and what long habit has made so. The latter disguises itself as the former—and there, measure is lost.
Once necessity is secured, he writes, one may approach “the real problems of life with freedom.” The rest of the time, existence is spent serving needs we did not choose, and without fanfare: “The life most men lead is one of quiet despair.” Not a cry, but a dull resignation—the weariness of carrying what we have forgotten we could set down. Against this slope, Thoreau does not oppose deprivation but the deliberate life: to reduce in order to live by design, to confront only the essential, not to have less but to live more. Here, subtraction is a gain of life.
From a wholly different world, a Persian poet holds a kindred thread by the other end. In The Conference of the Birds, the birds cross seven valleys toward their king; the fourth is that of independence—istignā. The hoopoe leading them promises no cabin by a pond.
Sacrifice, then, your soul and heart upon this path—else you must renounce knowing how to suffice (istignā).
Let us separate the two paths before rejoining them. Thoreau removes external goods to inhabit life more fully; istignā demands removing even the self. One lightens the house, the other empties the guest. Where Thoreau seeks “to suck out all the marrow of life” and draw more from it, the hoopoe leads her birds toward a destitution that will pass through soul and heart, en route to pure unity and then extinction. The two summits are not the same: one intensifies a self, the other dissolves it. To confuse them would be to lose what each sees—a hut in the woods is not a valley where “hundreds of worlds are ground to dust.” Let us not merge the paths.
And yet, both roads begin at the same threshold. Neither locates the trap in the world’s stinginess—the world gives enough—but in the swelling of what we demand from it: for Thoreau, the crease of habit; for ʿAttār, the heart’s attachment. And neither liberates by adding: one does not become independent by acquiring, but by removing. This is the one thing they say in unison—freedom is won by subtraction, not accumulation—even if one subtracts to live and the other to disappear. It is no longer the question of what is enough, how much suffices; it is that of where need itself comes from. On the near slope of these paths emerges what the Greeks called aponia: not an added pleasure, but the absence of what was lacking—the ease of one who no longer demands anything because they have ceased to require.
Let the fire that became a need become once more a thing we choose. Before every object we believe we cannot do without, there remains a simple question, one that calls for no clear-cut answer: do I still choose it, or has habit taken its place?
Sources cited
- Henry David Thoreau, Walden ou la vie dans les bois, ed. Éditions de la Nouvelle Revue Française, 1922, trans. Louis Fabulet.
- Farîd al-Dîn ʿAttâr, Le Langage des oiseaux (Mantic Uttaïr), ed. Imprimerie impériale, 1863 (transcription remacle.org), trans. Joseph Héliodore Garcin de Tassy.